Ingmar Bergman El Último Existencialista

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Ingmar Bergman El Último Existencialista examines Bergman’s films, existential philosophy, and lasting impact on world cinema.

Additional information

Publisher

Ediciones JC Clementine / Digitalia

Release Date

January 1, 2004

Number of pages

208

ISBN

9788489564428

Download options

Epub, Pdf, Word

Language

Spanish

Format

Digital Book

Instant delivery: download links are available right after payment in My Account → Downloads and via email.

Book details

Author(s)
Jorge Francisco, Puigdoménech López
Publisher
Ediciones JC Clementine / Digitalia
Release date
January 1, 2004
Pages
208
ISBN
9788489564428
Formats
Epub, Pdf, Word
Language
Spanish

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SKU: 9788489564428 Categories: , Product ID: 21385

Description

Few filmmakers have disturbed and moved audiences like Ingmar Bergman. In El último existencialista (The Last Existentialist), Jordi Puigdomènech explores the work of the Swedish master who burst onto cinema with existential doubts and vital reflections that shook the world of film. From The Seventh Seal to Persona, Bergman's films confront the great questions — faith, death, silence, identity — with an intensity few directors have matched.

His masterpieces — Wild Strawberries, Cries and Whispers, Fanny and Alexander — probe guilt, memory, and the silence of God with unflinching honesty. Puigdomènech guides readers through the director's most important works, unpacking the philosophical ideas that make Bergman, for many, the last great existentialist of the screen. What you will gain is a map for films that can feel forbidding on first viewing: why Bergman returns again and again to a God who will not answer, to faces held in close-up until they confess, to families that love each other and wound each other in the same breath. The book connects those obsessions to the questions of existence itself — what we do when meaning is not given, and how we live with doubt without pretending it away.

One good way to use this book is as a viewing companion. Watch one of the films — The Seventh Seal is the natural starting point — and then read Puigdomènech's account of it, letting the philosophy catch up with the images. The films are demanding, but they repay that patience, and a guide that explains what Bergman was asking, rather than merely what he was showing, makes the second viewing richer than the first.

Written in Spanish, this volume from Ediciones JC's 'Directores' series is both an introduction for newcomers and a rich study for devotees. For film lovers and anyone fascinated by the intersection of cinema and philosophy, this is an essential guide to one of the towering figures of twentieth-century art. Watch a Bergman film first, then read this book, and you will see the film differently — pick up the discounted ebook from Tellebook.

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