Nothing If Not Critical: Essays on Art and Artists

$6.59

Robert Hughes chronicles the evolution of modern art through sharp, uncompromising essays. He details the brilliance of masters and the flaws of pretenders, exploring the intersection of aesthetics, money, and power.

Additional information

Publisher

Knopf Doubleday Publishing Group

Release Date

February 22, 2012

Number of pages

400

ISBN

9780307809599

Download options

EPUB 2 (Adobe DRM)

Language

English

Format

Digital Book

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Book details

Author(s)
Robert Hughes
Publisher
Knopf Doubleday Publishing Group
Release date
February 22, 2012
Pages
400
ISBN
9780307809599
Formats
EPUB 2 (Adobe DRM)
Language
English

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SKU: 9780307809599 Categories: , Product ID: 22301

Description

The critic who never pulled a punch. Robert Hughes was the most feared — and most widely read — art critic of his generation. For three decades he brought art to millions as the critic of Time magazine, and his judgments could make or break reputations. Nothing If Not Critical gathers his sharpest essays into one essential volume.

Published in 1990, this collection shows Hughes at the height of his powers: brilliant, combative, gloriously opinionated. He writes on the great masters — Goya, Velázquez, Delacroix — with a believer’s passion, and turns his formidable pen on the contemporary art world: the inflated market, the fashionable fakes, the cult of novelty. No one skewers pretension quite like Hughes.

Part history, part polemic, part pure pleasure, these essays are a masterclass in criticism itself — how to see clearly, think independently, and say exactly what you mean. Indispensable for art lovers and anyone who enjoys criticism with teeth.

Robert Hughes was the most feared — and most widely read — art critic of his generation. For three decades he brought art to millions as the critic of Time magazine, and his judgments could make or break reputations. Nothing If Not Critical gathers the sharpest of his essays on art and artists into one essential volume.
n
nPublished in 1990, this collection shows Hughes at the height of his powers: brilliant, combative, and gloriously opinionated. He writes on the great masters — Goya, Velázquez, Delacroix — with the passion of a true believer, and turns his formidable pen on the contemporary art world: the inflated market, the fashionable fakes, and the cult of novelty. No one skewers pretension quite like Hughes, and no one writes about looking at pictures with more vivid intelligence.
n
nPart history, part polemic, part pure pleasure, these essays are a masterclass in criticism itself — how to see clearly, think independently, and say exactly what you mean.
n
nFor art lovers, students, and anyone who enjoys criticism with teeth, Nothing If Not Critical is indispensable: the wit and wisdom of a critic who never pulled a punch.

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